Beschrijving
“an invaluable catalog.”—Edward Rothstein, Wall Street Journal
“[The book] serves as both an introductory text and, for those well-read on the movement, one offering new dimensions to this vast subject”— Roger Dunn, Art Newspaper
“This book is the catalogue of an exhibition at the Harry Ransom Center, a great repository, likened to ‘an old attic filled with the most wondrous things’, at the University of Texas in Austin. It starts with the British origins of the Arts-and-Crafts movement, but the greater part describes its (to British readers) less familiar flourishing in the USA.”— CountryLife
“It serves as both an introductory text and, for those well-read on the movement, one offering new dimensions to this vast subject”— Roger Dunn, The Art Newspaper
“It is not a conventional catalogue, but the extended captions form a record of an exhibition and most of the contributions add usefully to discussion of how the Arts & Crafts Movement evolved in the 20th century” —Annette Carruthers, DAS
“an invaluable catalog.”—Edward Rothstein, Wall Street Journal
“[The book] serves as both an introductory text and, for those well-read on the movement, one offering new dimensions to this vast subject”— Roger Dunn, Art Newspaper
“This book is the catalogue of an exhibition at the Harry Ransom Center, a great repository, likened to ‘an old attic filled with the most wondrous things’, at the University of Texas in Austin. It starts with the British origins of the Arts-and-Crafts movement, but the greater part describes its (to British readers) less familiar flourishing in the USA.”— CountryLife
“It serves as both an introductory text and, for those well-read on the movement, one offering new dimensions to this vast subject”— Roger Dunn, The Art Newspaper
“It is not a conventional catalogue, but the extended captions form a record of an exhibition and most of the contributions add usefully to discussion of how the Arts & Crafts Movement evolved in the 20th century” —Annette Carruthers, DAS
Monica Penickis associate professor in the Department of Design at the University of Texas at Austin’s School of Design and Creative Technologies. Christopher Longis professor and chair of history and theory at the University of Texas at Austin’s School of Architecture.





